《外教社博学文库：叶芝中期抒情诗中的戏剧化叙事策略》以叶芝1914-1933年间出版的五部诗集为研究对象，分析并论述了诗人选择戏剧化呈现的原因，提出作为中期作品的主导艺术形式，戏剧化手段的形式意义和文化诗学价值在于，它既强化了作者和诗歌说话者间的区别，顺应了现代诗人寻求“非私人化”表达方式的创作趋势，又契合了叶芝捍卫诗人及现代人的主体地位，旨在实现“存在的统一”的诗学观和哲学立场，将个人情感和公共知识、诗歌的道德教诲和表现功能、作者引退和介入作品等因素熔于一炉，使作者得以兼收并蓄，继承开更新英语诗歌的浪漫主义传统。
目录：
Introduction
ChapterOneChangesinYeats'sPoetics
Ⅰ.SymbolismasaTentativeMeans
Ⅱ.NarrativePossibilitiesinMythMythandFolklore
Ⅲ.ArtistasPriest
Ⅳ.IntegrityofArt
Ⅴ."PersonalUtterance
Ⅵ.Self-dramatization
ChapterTwoDramaticNarrativeandDramatizedNarrator
Ⅰ.DramaticNarrative:AYeatsianMotive
Ⅱ.DramatizedNarrator
Ⅲ.DramaticinWhatSense?
Ⅳ.Yeats'sConceptoftheReader
Introduction
ChapterOneChangesinYeats'sPoetics
Ⅰ.SymbolismasaTentativeMeans
Ⅱ.NarrativePossibilitiesinMythMythandFolklore
Ⅲ.ArtistasPriest
Ⅳ.IntegrityofArt
Ⅴ."PersonalUtterance
Ⅵ.Self-dramatization
ChapterTwoDramaticNarrativeandDramatizedNarrator
Ⅰ.DramaticNarrative:AYeatsianMotive
Ⅱ.DramatizedNarrator
Ⅲ.DramaticinWhatSense?
Ⅳ.Yeats'sConceptoftheReader
ChapterThreeTheIntertwiningVoices
Ⅰ.TheInterplayofVoices
Ⅱ.ANewRhetoric
Ⅲ.Yeats'sSenseoftheOther
Ⅳ.TheEmblematicImagery
ChapterFourArrangementofTimeandChronotope
Ⅰ.TheEscha'tology
Ⅱ.TheHistoricalInversion
Ⅲ.TheSquareTurnsCarnivalesque
Conclusion
Bibliography
Acknowledgements
后记
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